Produced by Bristol sound co-founder the musician-producer, this scabrous if undernourished first film casts a critical gaze on 90s rave culture. Self-serving pillhead David (the actor) initially steals from an unconscious dealer, then in a later recollection tries to break into his own family home. Before you can say, he's upside down in the wreckage of his car in a woodland – and subject to the angry eye of the Poacher (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with impatience toward city dwellers, he is a fractured society personified: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Grimly Amusing Confrontation
The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to extricate himself from his seatbelt, while clumsily segueing into past scenes of his everyday life. The central theme – that the ecstasy generation were primarily out for number one – is firmly made. But these vignettes are too thin to properly prime us for what to expect when the Poacher turns up, fuming after David strangles his dog. Still, a darkly funny duel takes hold – David eager to get away; the Poacher withholding his jerrycan of cider, intent on soaking him instead in embittered discourse. Williamson, exuding ponderous menace in the role, is evocative of Michael Smiley.
Visual Flair and Promo-Inspired Sensibility
There is only one key story turn, but it leads to a comically executed rampage on the forest trails that veers toward folk horror. Filmmaker John Minton at last unleashes with his showy imagery: where he was focused intently doing artful shots of bugs in headlights in the early stages, he now goes all out with the full lysergic 21-gun salute, accompanied by a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.
Game is in British and Irish cinemas from November 17.
